UVM Band S23


Fiat Lux – Randall Standridge

Soundcloud audio from the composer's website                  Video + score

Fiat Lux (Fanfare for Wind Ensemble) is a work that celebrates enlightenment, friendship, and positivity.  The work is scored in the keys of C Major and G Major, which add to the overall brightness of its sound (you may or may not be aware that every key has a very particular character, but I digress).  The compound meter and percussion scoring lend it a slightly cinematic quality that is true to my aesthetic as a composer and to the intent of the work.  It is intended that the listener and performer experience exuberant joy and hope for a brighter tomorrow. - Randall Standridge


Abram's Pursuit – David Holsinger

Video (Rocky Mountain Wind Symphony)          Audio (Rutgers Wind Ensemble: really fast - from a CD they made of Holsinger's music)

As recorded in the Jewish scriptures, some 3,500 years ago, Chedorlaomer led a rebellion that ravaged everything that lay in his path. Near the so-called Dead Sea, the marauder’s forces were engaged in a conflict with an army from Sodom, Gomorrah, and nearby kingdoms. Chedorlaomer’s men looted the cities and also kidnapped Lot, Abram’s brother’s son. 

This is the same Abram who later became Abraham, known as father of the Hebrews. When Abram heard that Lot was taken captive, he trained and armed 318 men from his large household and went in pursuit of the invaders. With this relatively small contingent, Abram defeated Chedorlaomer’s entire army, rescuing Lot, his family, and all the people who had been kidnapped. It is Abram’s intense pursuit that this music depicts. - Brian Casey


The Redwoods – Rossano Galante

Video (University of No. Carolina Symphony Band)           Video (Angelo State University Wind Enemble )  
MIDI audio of upper woodwinds compilation part, mm. 70-82 at concert tempo (100 BPM), practice tempo (80 BPM), and slow tempo (60 BPM)
MIDI audio of alto sax part, mm. 70-82 at concert tempo (100 BPM), practice tempo (80 BPM) and slow tempo (60 BPM)        

The Redwoods was commissioned by the North Tonawanda (NY) High School Band. This work, inspired by the beauty, power and majesty of the Redwood - the most remarkable of trees - begins with a heroic-romantic trumpet melody accompanied by woodwind arpeggios, punctuated by brass rhythms. After a transition, the opening melody is followed by the rich, lush, main theme (m. 29) stated by the horns and woodwinds. After the main theme has undergone variations in orchestration, a new section follows (m. 65), with the upper woodwinds playing a second, delicately stated theme reminiscent of a music box. The new theme is heard once more (m. 73) but played in a heroic manner.  The main theme recapitulates in a similar heroic manner (m. 82), and as each theme returns it is heard with a change of instrumentation and accompaniment. After the final thematic statement, a brass fanfare brings us to the end of the piece, which culminates in a grand climax. - Rossano Galante


Festivo – Vaclav Nelhybel

Video (Doctors Symphonic Band, So. Korea)           Video + score                        Wind Band Literature's Festivo page

Festivo represents the style that has become associated with Nelhybel's band music: fast, driving rhythms that feature the brass are supported by important percussion parts.  In the slow middle section, the percussion focus shifts to the melodic realm of chimes, xylophone, and bells. Vaclav Nelhybel was born in Czechoslovakia in 1919.  He was one of the first "serious" composers for whom wind band music became the field of primary interest.


Rest – Frank Ticheli

Video (Hastings College
Symphonic Band)           Audio + score (from the composer's website)            Choral version ("There will be Rest") - conducted by the composer                   More of Sara Teasdale's poems

Created in 2010, Rest is a concert band adaptation of my choral work, There Will Be Rest, published in 2000. It was commissioned by conductor Russel Mikkelson and family, in loving memory of his father, Elling Mikkelson (1932–2005). In making this version, I preserved almost everything from the original: the harmony, dynamics, even the original registration. I also endeavored to preserve carefully the fragile beauty and quiet dignity suggested by Sara Teasdale’s words

With the removal of the text in the band version, I felt free to enhance the music, most strikingly in the form of a sustained climactic statement of the main theme. This extended climax allows the band version to transcend the expressive boundaries of a straight note-for-note setting of the original. Thus, both versions are intimately tied and yet independent from one another, each possessing its own strengths and unique traits. - Frank Ticheli

There will be rest, and sure stars shining
Over the roof-tops crowned with snow,
A reign of rest, serene forgetting,
The music of stillness holy and low.
I will make this world of my devising
Out of a dream in my lonely mind.
I shall find the crystal of peace,—above me
Stars I shall find.

Sara Teasdale (1884–1933)


Time Shift – Brian Balmages

Audio (from the publisher)

As the title implies, Time Shift uses mixed meter throughout, including 3:2 polyrhythms. Contrasting chorales are used in the middle section, but the music then moves back into a quicker tempo. The piece is filled with a variety of styles which create a great amount of interest.